The Allure of Canopy Beds

The Allure of Canopy Beds

Sister's bedroom at "The Town House"—one of our family's former and beloved Maine escapes. The orange print on the canopy bed was originally designed by Parish Hadley for Brooke Astor.
I have loved canopy beds since I was a child. They symbolized being a princess and the ultimate in luxury. I don't think growing older has changed my stance, and my grandmother’s obsession with them certainly cemented my feelings. She simply put them in every bedroom she could squeeze one into. As a child, you have a little house, and as an adult, you have the ultimate sleeping extravagance. In the world of interior design, few elements conjure such romance, nostalgia, and sheer opulence. When I sleep in my canopy bed at our house in Maine, I am transported—where hours can be spent lost in books  and the rest of the room seems to fall away from my little island of indulgence.

Originating in the middle ages where tapestries cocooned kings and queens in their castles, the canopy bed persists. In our ever-evolving world, it stands as a testament to the enduring power of design to shape our experiences and emotions. It is not merely a piece of furniture; it is a declaration of comfort, a celebration of heritage, and an invitation to dream once more.

Canopy Beds I Have Known and Loved:

The same bedroom reimagined by Catherine "KK" Auchincloss, a family friend with impeccable taste who later owned the house.
Another Maine bedroom in the Summer House—still there today.
Sister's Manhattan apartment, first published in House Beautiful October 1968 (Photos by O. Philip Roedel)
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A bedroom designed by Sister for the Whitney's at their horse farm in Saratoga.
Sister's scheme for JFK's bedroom at the White House—complete with canopy bed. He selected the toile fabric with angels.